final Dramatic theory & criticism

Today we’re watching four* out of the ‘Five Truths’ project undertaken by the
UK’s National Theatre, directed by Katie Mitchell, and acted by Michelle Terry.
The content of each scene is the same—Ophelia’s preparation for her suicide in
Hamlet. The truths we’re looking at are, according to a dramaturg who
worked on the project, “five views of how to convey the truth held by
Stanislavsky, Artaud, Brecht, [and] Grotowski.” Though we’ve not read
Stanislavski, we can allow the Stanislavski truth video to stand for Realism,
which we have looked at & discussed.
Here are the Youtube links to each video. It would be a good idea to watch
them again (and again, if necessary) as you ponder your essays:
Stanislavski: https://www.youtube.com/watch?v=2OD7phopWWk
Artaud: https://www.youtube.com/watch?v=gHn2Lj7R0Rc&t=15s
Brecht: https://www.youtube.com/watch?v=62-gYcO6jrY
Grotowski: https://www.youtube.com/watch?v=-ScsvWtMZWo
In approximately 1500 words (total, not each), discuss whether or not the
depictions are an accurate reflection of the theories of the practitioner/
theorists. (For Stanislavski you may assume the background of psychological
realism; i.e., in what way(s) does the performance reflect (or not) the truth(s)
of psychological realism?)
*The fifth truth, focusing on director Peter Brook, we’re not considering for the
final, since we’ve not looked at his work. But it’s quite interesting & I
recommend it to you.
2. In approximately 500 words, do you think theatre has the potential to seriously
influence individual and collective behavior? To change the world, as both
Artaud and Brecht hoped?
Sources: Brecht Essays from Brecht on Theatre (Brecht essays, ‘The Literarization
of the Theatre’ and ‘Theatre for Pleasure or Theatre for Instruction?’)
Artaud Essays from The Theatre and its Double (the Artaud essays, “No
More Masterpieces,” “The Theatre and Cruelty,” and “The Theatre of Cruelty (First
Manifesto)” pages 75-100 from The Theatre and it’s Double.
Jerzy Grotowski “The theatre’s new testament” (from Dukore, Dramatic
Theory & Criticism)

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